The rest of the songs are fine but not the kind I would replay again and again. The magic of Lata spins this number from a regular zingy number to heights which only she can spiral songs to. 5) 'Hum to bhai aisa hain' - Sorry guys but Lata Mangeshkar ROCKS.Īs I wasplaying this song at work on my pc, a few american colleagues asked me who the singer was and when I told them she was 75 they just didnt buy it. Seems like shahrukh and preity fall in love and are seperated and this song comes by when they see each other many years later. The piano signature in the beginning is haunting to put it mildly and as you listen to the song you cant help but wonder what the movie's plot is. I am not a huge fan of his mannerisms by the way and while I dig this song, I am afraid its going to zoom up the 'Shahrukh irritation factor' in many people:-) 4) 'tere liye' - I have no words for this melody which I have no doubt is going to be around for a long long time on peoples minds. You can literally see Shahrukh making the most of this song.

She is resplendent and sweetness personified in this melody.ģ) MAin yahan hoon - Tailor made for Shahrukh, this song has a zing which is simply very infectious. I dont know how she does it but LAta despite the very faint quavering in her voice (yes, im a hugefan but I dont hide her liabilities now) sounds magnificient. 2) Yeh hum aa gaye hain kahan - A typical YAsh Chopra melody, this song would be on your mind for a long time after you hear it. Lata sounds divine and sonu nigam is definately the best singer today by leaps and bounds. I cant help but notice a vague similarity between the two in the terms of the essence.

I am going to talk about the top 5 songs here: 1) Do pal - This poignant melody takesyou back to the days of dev anand and geeta bali singing 'yeh raat yeh chandni'.

Still, I rate this album as the best of the season. There is no doubt that the tunes have not been tampered with (the second 2nd in the album actually guides the reconstruction of Mdan Mohan's original tunes) but I cant help feel that if the original composer was around the music would have been even better. Dont get me wrong, I do enjoy the main hoon na's and the rehmans of today but the ethos which was there in the era gone by has not been captured in recent years till this album. It is after a long time that a Yash Raj film soundtrack does not stick to the stereotype music which was first used in Dilwale.Īfter a long time comes an album which actually has soul and depth.

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